King Cobra - Venom | Original

Creating "King Cobra-Venom" was an exhilarating and intense artistic journey that transcended reality and ventured into the realm of the imagination. The inspiration struck one night during a vivid, almost otherworldly dream, a place where nature’s raw beauty and danger coexist in perfect harmony.

In the dream, I found myself trekking through an enchanted jungle, the air thick with a magical humidity and the sounds of mythical creatures echoing all around me. I ventured deeper into the undergrowth, following a path that seemed to glow with an eerie light. The foliage was dense, and the path was treacherous, but the allure of discovering something extraordinary kept me moving forward.

Then, it happened. I stumbled upon a clearing, and there, basking in a rare shaft of moonlight, was a magnificent king cobra unlike any I had ever seen. The snake was coiled, its hood flared, and it was poised with an almost regal presence. Its scales shimmered in shades of gold and black, creating a mesmerizing pattern that spoke of both beauty and lethality. The cobra’s eyes, vivid and intense, seemed to pierce right through me, and its poised fangs glistened with a venom that sparkled like liquid starlight. I was frozen in place, both terrified and fascinated.

When I awoke, the image of the king cobra was seared into my mind, demanding to be immortalized on canvas. I began by preparing a jet-black background, representing the snake’s mysterious and ominous nature. The darkness was essential, a void from which the king cobra would emerge in all its fearsome glory.

The snake itself was a labor of love and awe. I spent countless hours detailing each scale, capturing the intricate patterns and the play of light that had so captivated me in the dream. The gold hues were particularly challenging, as I wanted them to shimmer with an almost otherworldly glow. I layered the colors meticulously, blending shades of gold, yellow, and brown to create a lifelike texture.

The cobra’s eyes were another focal point. I wanted to capture their intensity, the predatory gleam that had held me transfixed in the dream. Using a mix of greens and blacks, I painted the eyes with a precision that conveyed their piercing, almost hypnotic power. The fangs, glistening with venom, were painted last, adding a touch of danger that completed the image.

As I painted, I could almost hear the jungle sounds and feel the oppressive humidity of that magical place. The memory of the cobra’s presence was so vivid that it guided my every brushstroke. Each scale, each shadow, was a tribute to the snake’s terrifying beauty.

When "King Cobra-Venom" was finally complete, I stepped back and felt a rush of emotions. The painting was more than just an artistic endeavor; it was a confrontation with the mystical and a celebration of nature’s raw, untamed power. The king cobra, emerging from the darkness, stood as a symbol of both beauty and danger, a reminder of the wild encounter that had left an indelible mark on my soul.

This painting is a testament to the thrilling and humbling experience of facing one of nature’s most formidable creatures, even if only in a dream. Every time I look at it, I am transported back to that enchanted jungle clearing, where beauty and danger intertwined, and the king cobra reigned supreme in my imagination.

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• We are a proudly 100% Canadian-owned and operated business based in Sainte-Barbe, QC, where our studio is located. Our production facilities are conveniently nearby in Montreal.

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Does the picture look exactly like the art I'll receive?

• Colors may vary slightly due to differences in room lighting, computer monitors, and mobile screens.
• Paintings featuring a mat are intended solely for illustrative purposes and demonstrates what can be accomplished when you choose to handle the framing on your own.

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Paintings featuring a mat are intended solely for illustrative purposes and demonstrates what can be accomplished when you choose to handle the framing on your own.

Our floating frames do not come with any colored mats.

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