From My Personal Journal
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I didnât plan this one. It arrived like a memory.
I remember standing in the studio, staring at the finished painting. And instead of analyzing it, I just⌠smiled. Something about it pulled me inwardâback to a time when the world felt magical. When everything was alive with possibility.
The moonlight gliding across the brook. The deep turquoise waters flowing like a quiet song. The stones, nestled in curves that led somewhere I couldnât quite see. It felt like a place I had known as a childâeven if it never truly existed.
I didnât want to paint a scene. I wanted to paint a feeling. That quiet wonder from when I believed the world was good. When I thought hidden doors led to secret worlds. When flowers glowed at night and the forest listened.
The golden arch emerged without intentionâas if the painting itself wanted to frame the magic. It became a doorway. A gentle reminder that we can still choose to enter wonder, even now.
The lotus flowers rose around the stream like lanternsâsoft, luminous, reaching. I painted them to feel like protectors. Like guides. Their colors werenât from nature exactly, but from memory. From a place where imagination was still sacred.
I called it Enchanted Brook, not because it belongs in a fairytaleâbut because it reminded me of a truth I used to believe without question: that beauty could be found anywhere. That stillness held answers. That somewhere just out of view, magic was real.
Maybe when you look at it, youâll see your own hidden place.
Or maybe youâll just feel something gentle wake up inside youâ
âthat soft knowing that the world is still beautiful. You just have to remember how to look.
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A STORY BORN FROM SONIAâS HEART AND TOLD BY SAMÂŽ, IMMERSED IN REIMAGINED LIFESTYLE SETTINGS INSPIRED BY THE ORIGINAL, AND BROUGHT TO LIFE THROUGHâSORA & OpenAI.
Original painting photograph by Studio Graetz, Montreal.
